{"id":15429,"date":"2020-07-03T08:03:18","date_gmt":"2020-07-03T12:03:18","guid":{"rendered":"https:\/\/motionfm.com\/wp2014\/?p=15429"},"modified":"2020-07-03T08:03:18","modified_gmt":"2020-07-03T12:03:18","slug":"shuya-okino-still-in-love-look-ahead-the-man-45-edits","status":"publish","type":"post","link":"https:\/\/motionfm.com\/wp2014\/releases\/shuya-okino-still-in-love-look-ahead-the-man-45-edits\/","title":{"rendered":"Shuya Okino &#8211; Still In Love\/Look Ahead (The Man 45 edits)"},"content":{"rendered":"<p><iframe loading=\"lazy\" frameborder=\"no\" height=\"120\" src=\"https:\/\/www.juno.co.uk\/player-embed\/SF769959-01-01-01.mp3\/?pl=false&#038;pn=false&#038;ed=20-07-03\" scrolling=\"no\" width=\"100%\"><\/iframe><\/p>\n<p>Second time around for Kyoto Jazz Massive man Shuya Okino&#8217;s &#8220;Still in Love&#8221;, a swelling, string-drenched slab of life-affirming disco-soul, featuring the fine vocals of sometime Fertile Ground chanteuse Navasha Daya. This version is not the same as the epic &#8211; and now insanely in-demand &#8211; original 2011 version, which came out on legendary Japanese label Especial. This time round, it&#8217;s been given the seven-inch edit treatment by storied scalpel fiend Ryuhei The Man. His chops, nips and tucks are naturally well-judged, allowing the track&#8217;s chunky, DJ-friendly drum breaks a chance to do their thing before dropping in Daya&#8217;s vocal and Okino&#8217;s stirring strings. It&#8217;s a suitably respectful and on-point edit, as is the rework of original B-side &#8220;Look Ahead&#8221; featured on the flip.<\/p>\n<p>Label: At Home Sound Japan<br \/>\nFormat: 7&#8243;<br \/>\nCat: AHS 020<br \/>\nReleased: 03 Jul 20<br \/>\nGenre: Disco\/Nu-Disco<br \/>\n<a href=\"https:\/\/www.juno.co.uk\/products\/shuya-okino-still-in-love\/769959-01\/?ref=motionfm\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>BUY<\/strong><\/a><\/p>\n<p>Tracklist<br \/>\nSide 1<br \/>\n1.\t&#8220;Still In Love&#8221; (feat Navasha Daya &#8211; The Man 45 edit) (5:16)<br \/>\nSide 2<br \/>\n1.\t&#8220;Look Ahead&#8221; (feat N&#8217;Dea Davenport &#8211; The Man 45 edit) (4:32)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Second time around for Kyoto Jazz Massive man Shuya Okino&#8217;s &#8220;Still in Love&#8221;, a swelling, string-drenched slab of life-affirming disco-soul, featuring &hellip;<\/p>\n","protected":false},"author":9,"featured_media":15430,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[],"_links":{"self":[{"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/posts\/15429"}],"collection":[{"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/comments?post=15429"}],"version-history":[{"count":1,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/posts\/15429\/revisions"}],"predecessor-version":[{"id":15431,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/posts\/15429\/revisions\/15431"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/media\/15430"}],"wp:attachment":[{"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/media?parent=15429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/categories?post=15429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/tags?post=15429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}