{"id":4826,"date":"2012-03-30T23:17:27","date_gmt":"2012-03-31T03:17:27","guid":{"rendered":"http:\/\/www.motionfm.com\/?p=4826"},"modified":"2012-03-31T23:23:46","modified_gmt":"2012-04-01T03:23:46","slug":"a-reminiscent-drive-mercy-street","status":"publish","type":"post","link":"https:\/\/motionfm.com\/wp2014\/releases\/a-reminiscent-drive-mercy-street\/","title":{"rendered":"A Reminiscent Drive &#8211; Mercy Street"},"content":{"rendered":"<p><object width=\"400\" height=\"130\"><param name=\"movie\" value=\"http:\/\/www.junostatic.com\/ultraplayer\/09\/MicroPlayer.swf\" \/><param name=\"FlashVars\" value=\"branding=download&#038;playlist_url=http%3A%2F%2Fwww.junodownload.com%2Fplaylists%2Fbuilder%2F1933838-02.xspf&#038;start_playing=0&#038;change_player_url=&#038;volume=80&#038;insert_type=insert&#038;play_now=false&#038;isRelease=false&#038;product_key=1933838-02\" \/><param name=\"AllowScriptAccess\" value=\"always\" \/><embed src=\"http:\/\/www.junostatic.com\/ultraplayer\/09\/MicroPlayer.swf\" allowscriptaccess=\"always\" FlashVars=\"branding=download&#038;playlist_url=http%3A%2F%2Fwww.junodownload.com%2Fplaylists%2Fbuilder%2F1933838-02.xspf&#038;start_playing=0&#038;change_player_url=&#038;volume=80&#038;insert_type=insert&#038;play_now=false&#038;isRelease=false&#038;product_key=1933838-02\" width=\"400\" height=\"130\" type=\"application\/x-shockwave-flash\" \/><\/object><br \/><a href=\"http:\/\/www.junodownload.com\/design-your-juno-player\/\"><img border=\"0\" src=\"http:\/\/www.junostatic.com\/flash\/ultra_micro\/shared\/jd_b_12.gif\"\/ width=82 height=25><\/a><a href=\"http:\/\/www.junodownload.com\"><img border=\"0\" src=\"http:\/\/www.junostatic.com\/flash\/ultra_micro\/shared\/jd_b_22.gif\" width=318 height=25><\/a><\/p>\n<p>When Jay Alansky was writing his first Top 10 hits, at least half of today\u2019s generation of electronic musicians was not even born, let alone making music. When, after two decades in music, he signed with Laurent Garnier\u2019s famous F Communications in the mid-Nineties, Jay was taking a break from the mainstream hit business and going back to his avantgarde roots. The result was nothing short of amazing and Eric Morand, co-founder and manager of the now defunct label, said many years later that \u201eMercy Street\u201c was the best album F Com had ever released, and the Future Vintage Blog called it \u201eone of the the best electronic albums of the 90&#8217;s.\u201c Of course this must be taken with the proverbial grain of salt, but the truth is that the album has fascinated a generation of fans and fellow musicians. Now, finally Mercy Streetis back, available in all digital shops, marking just the beginning of a series of A Reminiscent Drive re-releases as well as a double CD anthology later this year.<\/p>\n<p>One critic in Germany described it as a blend of \u201edanceable TripHop, airy Electro-Ambient, elegiac Lounge-Score, melancholic Techno-Blues and  avantgardistic Cinemascope-Pop\u201c. While any description is bound to fall short of understanding this album as the unique, timeless and beautiful work of art that it is, the artful description hints at the album\u2019s eclectic, yet highly innovative quality. What Jay Alansky accomplished here, perhaps without even trying too hard, was nothing less than an aural \u201eexhibition\u201c of immortal musical miniatures which reflect as much on the artists inner life as on the musical environment which has inspired him for as long as he can remember. He invites us to share his own curiosity and sheer amazement in the face of this multi-faceted musical microcosm.<\/p>\n<p>By combining elements of Minimal Music (\u201eMercy Street\u201c), improvised and sometimes meditative piano not unlike the music of Keith Jarrett (\u201eFootprints\u201c), dark ambient (compare: Boards of Canada) and highly elegant electronica with a tinge of \u201eretro\u201c feeling (listen to the venerable 808 cowbell sounds in \u201eSerenade\u201c!), fragments of historical speech (e.g. Martin Luther King), Jay Alansky had transcended the Nineties\u2019 neatly laid-out genre cartography of TripHop, Downtempo, Lounge, Techno and Ambient, lighting out for new and unchartered musical territories. Fifteen years after its original release in 1997, this amazing album has lost none of its appeal, on the contrary: It feels as though time has just barely caught up with \u2013 or returned to \u2013 the beautiful places in the musical landscape which A Reminiscent Drivehas laid out for us. Actually, tracks like \u201eN.Y.C. Dharma\u201c, \u201eNew Jerusalem\u201c, \u201eCodes of Silence\u201c and \u201eSerenade (to the sound of Peace)\u201c were part of the reason why peacelounge recordings \u2013 the label and publisher \u2013 came into being ten years ago.<\/p>\n<p>Now, a decade after ARD stopped releasing music, Jay is back with a vengeance \u2013 and it feels a bit like he\u2019s coming home. In closing, let me quote once again, the Future Vintage Blog:  \u201eI said it before and I say it again: I envy anyone who will listen to this album for the first time.\u201c<\/p>\n<p>Christian Arndt (peacelounge rec)<\/p>\n<p>Releasedate: 2012-03-30<\/p>\n<p>A REMINISCENT DRIVE: MERCY STREET<\/p>\n<p>1            Life Is Beautiful<\/p>\n<p>2            Leg Show<\/p>\n<p>3            N.Y.C. Dharma<\/p>\n<p>4            Serenade (to the sound of peace)<\/p>\n<p>5            The King And The Elephant<\/p>\n<p>6            True Love&#8230;<\/p>\n<p>7            Like Twins<\/p>\n<p>8            Back To Morocco<\/p>\n<p>9            Mercy St<\/p>\n<p>10            Codes Of Silence<\/p>\n<p>11            There&#8217;s Always Somebody To Say You&#8217;re Wrong!<\/p>\n<p>12            Footprints<\/p>\n<p>13            Two Sides To Every Story<\/p>\n<p>14            New Jerusalem<\/p>\n<p>15            Dawn man introducing I want to remember this moment always<\/p>\n<p>16            Relief<\/p>\n<p>All titles written and composed by Jay Alansky | Published by ed. peacelounge c\/o Melodie der Welt | performed, mixed &#038; produced by A REMINISCENT DRIVE<\/p>\n<p>* (p) &#038; \u00a9 2012 peacelounge recordings <\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Jay Alansky was writing his first Top 10 hits, at least half of today\u2019s generation of electronic musicians was not &hellip;<\/p>\n","protected":false},"author":9,"featured_media":4827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[179,180,178,177,175,176,38,70],"_links":{"self":[{"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/posts\/4826"}],"collection":[{"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/comments?post=4826"}],"version-history":[{"count":2,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/posts\/4826\/revisions"}],"predecessor-version":[{"id":4829,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/posts\/4826\/revisions\/4829"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/media\/4827"}],"wp:attachment":[{"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/media?parent=4826"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/categories?post=4826"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/motionfm.com\/wp2014\/wp-json\/wp\/v2\/tags?post=4826"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}